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    The description :welcome to the fashion in film festival homepage....

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research films work with us shop contact us support us home festivals publications projects press about us search share tweet subscribe “the festival combines an incredible assortment of the avant-garde and pure ‘entertainment’ extravaganzas.” liz goldwyn, 2011 “…the puts maximum effort into curating a selection of films that are rare and just as rich in terms of inspiration.” suzy lau, 2010 “the most fashionable film festival.” women’s wear daily, january 2007 “this new festival shows an impressive and intriguing engagement with clothes in the pictures.” time out, may 2006 “the results on show here demonstrate that movies are a better place for displaying clothes in all their glory than catwalks ever will be.” the guardian guide, may 2006. “a must-see for any style-conscious movie buff. “ james anderson, i-d june 2008 “i love fashion in film’s approach to film and find their work supremely dazzling and unique!” steve leggett, program coordinator national film preservation board, library of congress ‘how do i look? mirrors and dressing in john cassavetes’s opening night (1977)’ 29/05/2018 in this essay artist kim coleman explores themes of female ageing, dressing, acting and mirroring in john cassavetes’s 1977 masterpiece opening night. the text is an amended version of coleman’s introductory notes to the film, shown on the opening night of our festival season wearing time: past, present, future, dream at curzon soho in march 2017. click here to read the essay . at museum of the moving image, new york. 6-22 april 03/04/2018 in april we returned to the museum of the moving image with our latest season wearing time: past, present, future, dream, co-curated by tom gunning and marketa uhlirova. thanks to everyone who came! the programme included screenings, talks and debates taking a wide-ranging look at the relationship between fashion, cinema and time. on the opening night we presented the us premiere of the inferno unseen – in collaboration with mubi and lobster films – brought to life by rollo smallcombe’s live electronic score, plus guest speakers including alistair o’neill, jessamyn hatcher, francesca granata, ashish pant and drake stutesman. other highlights included a beautiful 4k restoration of sergei parajanov’s masterpiece the color of pomegranates (sayat nova, 1969), mitchell leisen’s rarely screened lady in the dark (1944) with tom gunning’s introduction, and czechoslovakia’s adaptation of stanislav lem’s sfi-fi novel magellanic cloud (1953) ikarie xb-1 (1963, released in the us as voyage to the end of the universe). click here to read the new york times coverage ; here for a nowness article about the inferno unseen and here for j.b. spins blog about we like. click here for the full programme at momi . with grateful thanks to mary lapides for supporting our opening event! – iuav – palazzo grassi programme highlights 02/02/2018 click here for an italian vogue article about our programme at teatrino di palazzo grassi, which took place 24-26 january 2018 in collaboration with iuav university of venice. the programme explored dress in motion and time from the perspectives of fashion, cinema and art. here are some of our highlights: 16mm test run for christine noll brinckmann’s film dress rehearsal (1979) featuring karola gramann. kiri inglis (mubi), martina malobbia (palazzo grassi) and marketa uhlirova (fff) presenting the inferno unseen (2017), a new cut of henri-georges clouzot’s unfinished film from 1964. the film was co-produced with lobster films. rollo smallcombe performing his live score to the inferno unseen, which he also co-edited. on screen: romy schneider and serge reggiani’s colour test, the inferno unseen. “it felt like such a unique place to perform. the city and the audience were fabulous.” – rollo smallcombe the atmospheric auditorium at the teatrino at palazzo grassi, restored by tadao ando in 2013. caroline evans, alessandra vaccari and nanni strada in conversation during iuav’s fashion aperture workshop. nanni strada showed her film il manto e la pelle, originally commissioned by the triennale di milano in 1974. il manto e la pelle. for more on strada and the workshop, go to contessanally’s blog post . an exciting last-minute addition to our venice programme 19/01/2018 with huge thanks to the archives françaises du film, cnc, we have just added a beautifully restored ‘sonia delaunay’, film to our programme at palazzo grassi. this rare fashion film is an exquisite showcase of sonia delaunay’s ‘simultaneous’ dresses and fabrics, quite possibly made at the artist’s parisian studio and home at 19 boulevard malesherbes. dating around 1926-7 and filmed using the tricolor additive keller-dorian process (later also known as ‘kodacolor cine film’), the film presents delaunay’s geometric designs in rich colours. read about our collaboration with palazzo grassi here. (images courtesy cnc) palazzo grassi celebrates 10 years of the 21/12/2017 we are thrilled to announce a three-day programme of screenings and workshops this january, organised in partnership with the università iuav di venezia. the programme explores the links between fashion, cinema and art. where: teatrino di palazzo grassi, venice when: 24–26 january 2018 click to see the full programme wearing time: past, present, future, dream 27/03/2017 between 11–26 march 2017 celebrated its 10th anniversary with a season curated by the festival’s director marketa uhlirova and the cinema scholar tom gunning , exploring the connections between fashion, cinema and time. go to the festival page download our festival brochure as pdf . watch our trailer here: the festival ran across major london venues, including barbican centre , curzon cinemas , genesis cinema , central saint martins , rio , prince charles cinema , picturehouse cinema , the horse hospital and the hoxton. a huge thank you to all our speakers, venues, sponsors, partners and supporters , and a big thanks also to our audience! click on the link above to see who supported our 2017 london season. artist michelle handelman talks to aya noel about women, identity and costume as a state of mind new york-based artist michelle handelman, whose film irma vep, the last breath was included in our latest season wearing time: past, present, future, dream, talks to aya noel about women in cinema, fluid identity and costume as a state of mind. musical legend jarvis cocker gives us his top five picks of the festival 10/03/2017 did you know that as an art student jarvis cocker studied film on a course set up by the experimental filmmaker malcolm le grice? that he graduated with a film about angel gabriel falling to earth? whose crown became a shower cap as it made contact with the earth’s atmosphere? ok, probably too much information. here jarvis gives us his top five picks of this year’s festival programme: 1. the inferno unseen – i’ve seen some of this footage before but i am really looking forward to seeing it made into some kind of end-product rather being simply a collection of visually amazing screen-tests. 2. space is the place – this is one of those that i’ve heard a lot about over the years but have never actually seen. i’m a sucker for space-related films & music so this is a double-whammy for me! 3. lola montes – sophie calle told me that this was maybe the best-looking film ever. who am i to argue? 4. vertigo – i’ve never seen it at the cinema. some films are so powerful that you have to be careful how many times you watch them – but i reckon i could manage one more time… 5. the colour of pomegranates – i’ve only ever seen stills from this – which looked intriguing enough to make me want to see the film they come from. influential film scholar tom gunning will be resurrecting the cinema diva at the horse hospital 02/03/2017 to kick off our 10th anniversary festival, its co-curator, the influential film historian tom gunning, will be hosting resurrecting and re-editing the cinema diva. a programme of artist films from th

URL analysis for fashioninfilm.com


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Registrar WHOIS Server: whois.123-reg.co.uk
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